04 August 2018

NSW Art Safari - part 2 - Leeton - Anamorphic Resonance



Off to Leeton from Hay to install the anamorphic portrait we'd made of Walter Burley Griffin (who had designed Leeton along with Canberra and a number of other NSW towns).


Back-tracking to the start of this project, the challenge that we'd set ourselves to create this work, drawn from elements of the distinctive designs that decorate the buildings of Leeton that when viewed from a specific angle resembled a portrait of the man himself.

Coupled with the challenges of making something that could be installed in a public space and stand up to the ravages of time (the weather, vandals and broader community), turned out to be quite the challenge  indeed.



Initial tests of the anamorphic shadow concept with plasticine and kebab sticks were promising. But it turns out that neither plasticine nor kebab sticks are things that civil engineers look upon favourably. Getting the weight of all the concrete forms up to height and kept there in a a robust and non life threatening way was going to be the biggest challenge (amongst ourselves we referred to this as the floating concrete project).

On the optimistic assumption we would figure that all out, I got to work modelling and pouring up a bunch of  elements inspired by the architecture of Leeton that we would then be able to uses as our "pallet" to create the portrait.








Having made the bits the next step was to asssemble into some kind of form.

We marked out a stencil of the silhouette on the outside of the shed and started using that as a guide to start placing the pieces.

The main goal at this point was to work out a pattern for the form that would sit within the silhouette and allow us to place bits securely anywhere we needed.


Working with lightweight steel frame and card we were able to rough things out with enough light weight silhouette detail to provide the engineer with the heights, spans, weights, etc he needed.

Then we moved indoors to start work on the actual thing.

This is basically all the structural steel sitting inside the silhouette (in red) that we were working towards.
From there we blocked out the main shapes. starting with cardboard cutouts and then gradually replacing these with the concrete forms.
Much drilling and grinding ensued. A fixed camera at the designated view point gave us a constant reference to work towards.
Once everything was locked in place. We disassembled it all, painted it up to project against the weather and loaded it on to the trailer for delivery.
Exciting eight hour drive up to NSW, hoping nothing fell off the back and keeping a keen eye out for low bridges. Happily this task fell to Greg ( I can only imagine if I hadn't been sitting on a beach in far north Queensland for this bit it would have been even more stressful).
I met up with Greg in Leeton (after the Hay residency) and between us we managed to wrestle it all off the trailer and reassembled on the slab that had been poured in the designated spot.


Placing the light was the final task. Again this placement needed to be pretty exact so that the light would shine up through the structure and cast the shadow of Walter Burley Griffin onto the Water tower.  A bit of a faff but we eventually sorted it out.


Upon returning home we had a bit of a heart flutter weh we got a call to say the council were going to move the light a bit for some reason or another but happily concreter had turned up and concreted it into place before they had had a chance to actually take action on this.

20 July 2018

NSW safari - Part one - Feed (Hay)

Taking the flying car out for a spin again.

Up  in Hay this week playing with Feed and the young folk of Hay for Outback Theatre for Young People.



 Next stop Leeton to install our sculpture.




29 June 2018

Poppet Bendigo - Part 1 - Creatability



Some tests from last week with Creatability. Exploring using a light-painting technique as a way to create the visuals in one of the scenes that will be projected onto the Poppet head in Rosalind park later in the year (Oct 20) as part of a large-scale projection event there.




The tech is a refinement of one of the elements of the  Dusk  performance at the nati Frinj last year but tweaked to allow us to record the evolving lightpainting to use as video elements at a later point.






25 March 2018

Lake Bolac Eel Festival - Part 4


The Birds...
Having left them as metal skeletons a few weeks ago its been great to come back and see them take on a whole new life with a layer of grasses harvested from the lake and woven onto the frames by the students at Lake Bolac College (Under the supervison of the incredibly talented duo of Bronwyn Razem and Katja).
The Emu was finished off by the students prior to the festival whilst the wings of the Brolga were complete during the festival...
...just in time for the Twilight Ceremony on saturday night.
With Festival Director Elyjah McLeod
Thanks Again to Regional Arts Victoria for their support in making this project happen.

Lake Bolac Eel Festival - Part 3

There be Eels









22 March 2018

Lake Bolac Eel Festival - Pt 2

It's Lake Bolac Eelfest eve and the car is brimming with freshly made Eels ready to take down in the morning to install by the lake.





Looing forwar dalso t seeing how the Emu and Brolga are looking now that weavers have had their turnwith them.